Posted on Tuesday 31 July 2007
The British Library’s major exhibition, ‘Breaking the Rules:The Printed Face of the European Avant Garde 1900-1937’ explores the creative transformation which took place in Europe during t
he first four decades of the 20th century – a revolution which encompassed visual art, design, photography, literature, theatre, music and architecture. Each style is traditionally regarded as a movement in itself but for the first time they are brought together to explore common themes and the creative transformation which took place at the time as well its continuing impact on contemporary culture.
Traditionally associated with Paris or Berlin, ‘Breaking the Rules’
explores the rapid exchange of ideas that ease of train travel around
Europe made possible. This movement of people led to the presence of
the Avant Garde in many European cities - London, Brussels, Munich,
Zurich, Vienna, Florence, Milan, Rome, Barcelona, Madrid, Copenhagen,
Warsaw, Kracow, Prague, St Petersburg, Moscow, Kharkiv, Kyiv,Tbilisi,
Belgrade,Bucharest and Budapest.
The Avant Garde was characterised by its exploitation of the printed
medium and ‘Breaking the Rules’ draws upon the British Library’s
unrivalled collections of artists’ books, manifestos, little magazines,
photobooks, literary manuscripts, sound recordings, and posters from
across Europe, complemented with loans from other European museums and
collections.
Star items include Marinetti’s futurist experiment with words, type and
visual text, Zang Tumb Tuum, the Burliuk Brothers Tango with Cows, the
not
ebooks and corrected proofs of James Joyce’s Finnegan’s Wake, the
earliest known recording of T.S. Eliot reading The Waste Land, recorded
at Columbia University in 1933 and never commercially published and
excerpts from a British Library oral history interview with poet David Gascoyne in which Gascoyne recalls his experiences of the Surrealist
group in Paris in 1935. Gascoyne’s manuscript journal will also be on
display.
The exhibition will be on from 9 November 2007- 30 March 2008 in the Pearson Gallery, British Library. Admission is Free. See www.bl.uk for more information.







